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Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso in the Small but Musically Mighty Country of Burkina Faso

Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso in the Small but Musically Mighty Country of Burkina Faso was on view at the Art Institute of Chicago, 111 South Michigan Avenue, Chicago, IL 60603, from April 26 through August 19, 2018. Featuring photographs by Sanlé Sory, the exhibition explored portraiture, popular music, and post-independence identity in Burkina Faso.

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April 28, 2018
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August 19, 2018

Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso in the Small but Musically Mighty Country of Burkina Faso, a solo exhibition of photographs by Sanlé Sory, highlights studio portraiture and youth culture in Bobo-Dioulasso, Burkina Faso. The Art Institute of Chicago, 111 South Michigan Avenue, Chicago, IL 60603. Runs April 26–August 19, 2018.

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Exhibition Description

Volta Photo: Starring Sanlé Sory and the People of Bobo-Dioulasso in the Small but Musically Mighty Country of Burkina Faso featured photographs by Sanlé Sory, a Burkinabè photographer known for his studio portraits and images of nightlife, youth culture, and performance in Bobo-Dioulasso. Working primarily in black-and-white photography, Sory documented sitters posed with radios, telephones, motorbikes, record players, and painted backdrops, creating images that reflect both personal style and the broader energy of social change in post-independence Burkina Faso. The Art Institute of Chicago, 111 South Michigan Avenue, Chicago, IL 60603. April 26, 2018 — Runs through August 19, 2018. The exhibition presented Sory’s work as both portraiture and historical record, showing how photography could function as a site of aspiration, performance, and self-definition. His images capture young people negotiating modernity through dress, pose, music, and attitude, while also preserving the atmosphere of a rapidly changing cultural moment. Installed as an immersive environment, Volta Photo extended beyond framed photographs to evoke the social world surrounding the studio itself. By linking photography with popular music and everyday objects, the exhibition emphasized how Sory’s practice documented not only individuals, but also a wider collective imagination shaped by independence, style, and possibility.

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