Currents 40: Widline Cadet showcases the artist’s nearly decade-long project Seremoni Disparisyon (Ritual [Dis]Appearance), a body of work that expands photography into installation, video, and archival practice. Rooted in her lived experience as a Haitian-born artist navigating migration to the United States, Cadet’s work reflects on the emotional and physical distances that shape diasporic life. Initially photographing her extended family to address the scarcity of ancestral images, Cadet began building what she describes as a “living archive.” As access to her family in Haiti became increasingly limited, she turned the camera toward herself and those within her immediate environment, constructing layered visual narratives that blur the boundaries between presence and absence, memory and invention. Cadet employs strategies such as doubling, repetition, and careful staging to create images that resist fixed meaning. Her works often feel both intimate and elusive, inviting viewers to consider how identity is constructed through fragments of memory and representation. Installed in dynamic and unconventional ways, the exhibition challenges traditional modes of photographic display, transforming images into immersive, spatial experiences. Presented as part of the Milwaukee Art Museum’s Currents series—its platform for emerging and innovative contemporary practices—the exhibition is installed in the Herzfeld Center for Photography and Media Arts. Currents 40: Widline Cadet underscores the artist’s role in shaping contemporary conversations around image-making, diaspora, and the archive.